Unlike the scene shown in this print, the original scene should show a woman: either Camille, Horace's sister, or Julie, her confidant. The classical theatrical tradition had become stiff and lifeless over the years and the romanticists started opposing the classic theatre's exclusive role. The situation reached its climax in Victor Hugo's "Hernani" in 1830. Though violently criticized, the play was a remarkable success with the public. Daumier also felt the time was ripe to revive Greek tragedy, but in a somewhat unexpected way. Hardly ever have the antique Gods been thrust so far off their known path than under Daumier merciless crayon. Offenbach was the one who brought the Gods "down to the ground" on the musical side.
Copyright restrictions may apply. For permission to copy or use this image, contact the Robert D. Farber University Archives and Special Collections Department, Brandeis University Libraries. The following credit line must be included with each item used: Benjamin A. and Julia M. Trustman Collection of Honoré Daumier Lithographs, Robert D. Farber University Archives & Special Collections Department, Brandeis University.
Contact host institution for more information.
Place of origin:
Paris
Notes:
3rd state.
Published in: Le Charivari, February 27, 1841.
Notes (acquisition):
Donated by: Benjamin A. and Julia M. Trustman, 1959.
