- Moi ce que j'aime dans la salle de Sculpture, c'est qu'on est toujours sûr d'y trouver un banc pour s'asseoir!...

Item Information

Title:
- Moi ce que j'aime dans la salle de Sculpture, c'est qu'on est toujours sûr d'y trouver un banc pour s'asseoir!...
Title (alt.):
- What I like about the Sculpture Room, is that one is always sure of finding an empty bench to sit on!.... Charivari
Description:
A man claims that the one thing he likes about the sculpture gallery is that there is always an empty bench on which to sit. CROQUIS PRIS A L'EXPOSITION par DAUMIER and Croquis pris à l'exposition is a series of 4 prints, which appeared in the Charivari between May 24 and June 17, 1864, and on June 3, 1865. SALON. The SALON, the yearly art exhibitions in Paris, were actually art fairs which attracted approximately 1 million visitors from Paris and the provinces. Hundreds of painters and sculptors exhibited. The Salons were the ideal marketplace for the classical painters as well as the new, modern, avant-garde artists. Having little access to private art galleries, these exhibits were especially for the progressive school of greatest economic importance. The jury played an increasingly important role for the future of an artist. Once an artist was rejected from the Salon by a conservative jury, he had most likely no chance to succeed commercially. Very often, a parallel Salon was organized for those artists whose works were refused at the official exhibition . This was the case in 1855, when Courbet’s pictures were considered too revolutionary to be exhibited at the Salon. As a consequence, Courbet opened his own exhibition outside of the official Salon. Baudelaire made some remarks concerning the Salons: “During our time there are only two artists in Paris who are as able as Delacroix: the caricaturist Daumier and the second one is Ingres. All three of them have one thing in common: they express what they mean to say…..” The SALON was for most artists the only possibility to present their works to a greater public. The Salon of 1834 for example attracted some 30’000 visitors already on the opening day. During the entire period of two months, a total of one million spectators went to the show. On certain days the ticket price was reduced to 20 sous or was even free of charge, attracting a large number of visitors. During the World Fair, which lasted from May 15 to November 15, 1855 thousands of visitors from Paris and abroad as well as from the French provinces visited the Salons.
Donor:
Trustman, Benjamin A., Trustman, Julia M.
Lithographer:
Daumier, Honoré, 1808-1879
Date:
1864
Format:
Drawings/Illustrations
Location:
Brandeis University Libraries
Collection (local):
Benjamin A. and Julia M. Trustman Collection of Honoré Daumier Lithographs
Subjects:
Sculptures
France--History--1848-1870
Extent:
1 lithograph, b&w, 29.5 x 29.5 cm
Link to Item:
http://hdl.handle.net/10192/3717
Terms of Use:
Copyright restrictions may apply. For permission to copy or use this image, contact the Robert D. Farber University Archives and Special Collections Department, Brandeis University Libraries. The following credit line must be included with each item used: Benjamin A. and Julia M. Trustman Collection of Honoré Daumier Lithographs, Robert D. Farber University Archives & Special Collections Department, Brandeis University.
Contact host institution for more information.
Place of origin:
Paris
Notes:
2nd state.
Published in: Le Charivari, June 13, 1864.
Notes (acquisition):
Donated by: Benjamin A. and Julia M. Trustman, 1959.
Identifier:
LD3292